Aya Kakeda

amazing world of aya kakeda's works.
in a variety of media, her works span from drawings, paintings, silk screen,
to commercial illustration, sculpture, and comics.


and she embroiders!
( click images to view larger. )

i liked her works before i befriended her,
but now that i know her, it's even better.

all images from ayakakeda.com.
visit her website to be transported to funland!

David Choe's studio

please click to enlarge...
via wallkandy.net.

Outsiders

went to see the Outsiders show (by Lazarides gallery) on bowery.
they had some great pieces by some of my favorite artists.
my battery ran out so i only took a few,
so i snagged a few photos on the net.



the pics i snapped of david choe's works, which i'm a huge fan of.
some more favorites i didn't get here (from the net:


(this one above from choe's blog)

some antony micallef, whom i've also posted before:


and ian francis' work :


i was really impressed with dave choe's works once again,
as well as antony micallef's works as well.
it's always the spontaneity and the gutsy, seeminly-carefree strokes
of their works that really have me hypnotized.


+photos of some of the show pieces from the worlds best ever.
+more photos by wallkandy's flickr here.

hollis heichemer

abstract paintings by hollis heichemer.
(also a studiomate of the wonderful alex kanevsky,
whom i blogged about a while back).

sometimes, i get so drawn to thick layers of oil paint
accumulated over months of time...
letting your life and heart melt into each layer,
relevant to each point in your life that way.
evolving the painting itself as you yourself evolve...
not many paintings are done like that anymore.
including myself - i've had weeks to 2-3 months tops to put together a show,
and this time around preparing for my solo show (next week),
i really felt like i wish i had more months to paint some of the pieces.

one thing i love about oil painting is how much it can evolve over time.
(unless you have what you want mapped out).
you can see the evolution of the last painting here.

and many more here.

yuko yamamoto

taking a break from paintings (other artist's and my own, currently)...
yuko yamamoto's paper plants.

i always have loved paper, especially when it's used in spatial form.
there's something so amazingly fascinating, for me,
about such an intrinsically 2-dimensional material transformed
into a 3-dimensional object, navigating spatial forms.

i love that her paper cutouts are still flat and 2-dimensional
in their nature, yet able to relate to its surrounding environment
and space and create whole new forms and shapes...

sometimes casting shadows, letting it on of its existence,
but sometimes lying flat and looking like a negative shape...
the 'white' shadow itself.

more below:


definitely another thing i love about sculptural works
are other elements they have on the environment they're set in...
like the shadows... the interaction with the space.
kind of like ruth asawa's sculptures. :)

(originally found via simply photo)

nicholas uribe

figures by nicholas uribe.
i'm fascinated by the pale, foggy lighting and colors,
haunting absence or addition of parts of a figure,
loose, yet careful strokes...

via k9pincushion.

marlene dumas

marlene dumas' ink drawings.
so emotionally charged in a rather succinct form of expression.

Drawings are only a few lines on paper.
Therefore it's easy to carry around in plastic bags.
Drawings are cheaper than paintings.
They don't pretend they'll last forever.
Drawings are streetwise and still to be found in toilets, too.


and some paintings...




I paint because I am a woman.
(It's a logical necessity.)
If painting is female and insanity is a female malady,
then all women painters are mad and all male painters are women.
I paint because I am an artificial blonde woman.
(Brunettes have no excuse.)
If all good painting is about color
then bad painting is about having the wrong color.
But bad things can be good excuses.
As Sharon Stone said, "Being blonde is a great excuse.
When you're having a bad day you can say, I can't help it,
I'm just feeling very blonde today."

I paint because I am a country girl.
(Clever, talented big-city girls don't paint.)
I grew up on a wine farm in Southern Africa.
When I was a child I drew bikini girls for male guests on the back of their cigarette packs.
Now I am a mother and I live in another place that
reminds me a lot of a farm - Amsterdam.
(It's a good place for painters.)
Come to think about it, I'm still busy with those types of images and imagination.
I paint because I am a religious woman.
(I believe in eternity.)
Painting doesn't freeze time.
It circulates and recycles time like a wheel that turns.
Those who were first might well be last.
Painting is a very slow art.
It doesn't travel with the speed of light.
That's why dead painters shine so bright.
It's okay to be the second sex.
It's okay to be second best.
Painting is not a progressive activity.
[...]
-marlene dumas-


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i feel more and more drawn to expressionistic works
this past year or so... maybe to the honest stream of consciousness?
i think i feel the need/yearn for a change...
i want to be set free out of my mental cage.

her works are on display at the MOCA in LA now,
and also will be coming to the MOMA in nyc this winter...